G.A.S. Foundation is pleased to welcome Fiyin Koko Tunde-Onadele, a multidisciplinary Nigerian artist, for a residency taking place between G.A.S. Lagos and the G.A.S. Farm House in Ikise from January to February 2026. Working across painting, sculpture, photography, printmaking, installation, and moving image, Tunde-Onadele’s practice is grounded in womanism, memory, play, and embodied experience. Her work explores how personal and collective stories—particularly those centered on women—are formed, remembered, and transformed over time.

G.A.S. Foundation is pleased to welcome Daniel Oluwaloni Abiodun, a Lagos-based photographer and filmmaker, for a residency at the G.A.S. Farm House in Ikise from February to March 2026. Working across photography, moving image, and sound, Abiodun’s practice examines everyday life in Nigeria through the lens of identity, community, and the dynamic tension between tradition and modernity. His work blends candid street photography with stylised portraiture to construct intimate visual narratives rooted in lived experience.

G.A.S. Foundation is pleased to welcome Ryan Tenney, an interdisciplinary artist and agroecological practitioner based in Kansas City, for a residency at the G.A.S. Farm House in Ikise from January to March 2026. Working across painting, installation, digital media, and ecological research, Tenney’s practice sits at the intersection of art, agriculture, technology, and Traditional Ecological Knowledge. His work investigates how creative and agrarian practices can operate as tools for liberation, collective care, and alternative futures.

On November 28, 2025, G.A.S. Lagos hosted Our Key Images, a printmaking workshop led by artist and educator Daniel Minter. The session introduced participants to Daniel’s approach to relief block carving and the use of personal symbols as foundational elements within his assemblage practice.

In November, we welcomed Dutch-Curaçaoan artist, poet, and activist Quinsy Gario for a month-long residency at G.A.S. Lagos. Working across performance, film, photography, and text, Quinsy’s practice interrogates how histories of enslavement and displacement continue to circulate, emotionally, materially, and politically, tracing suppressed narratives and advocating for justice, recognition, and repair. Quinsy arrived in Lagos at a pivotal moment in his research, focused on human remains discovered in St. Martin, believed to be linked to Nigeria and dated between 1660–1680. His residency offered dedicated time to explore questions of belonging, return, and the ethical responsibilities attached to repatriation. During his stay, he connected with local artists, theatre-makers, poets, and researchers addressing related themes, including colonial memory, slavery, and the politics of preservation.