On March 6th, 2026, G.A.S. Lagos hosted One Bulb at a Time, a presentation exploring how agricultural innovation can respond to the unique challenges of the Lagos landscape. Led by Jonathan Chambalin in collaboration with Lagos Gallery Weekend, the session brought together practitioners across craft, farming, and technology, including G.A.S. alumnus Ryan Tenney, whose work foregrounds Pan-African approaches to communal development.

Founded in 2020, MOWAA is dedicated to the preservation of heritage, expansion of knowledge and celebration of West African arts and culture. MOWAA's mission centers on documenting, safeguarding, and activating cultural memory through an integrated approach that brings together curatorial practice, conservation, digitization, archaeology, and public programming.
MOWAA fosters collaboration among scholars, artisans, and cultural practitioners to support research, collections care, exhibition, and knowledge production.
The Museum has undertaken several key initiatives, like leading archaeological excavations particularly around the historic Benin City, contributing to knowledge on the region's material culture and urban history. MOWAA is in the process of establishing robust collections management and documentation systems, conservation and material science infrastructure while also delivering public programs. Guided by the principle of bringing the past to the present for the sake of the future, MOWAA continues to serve as a hub for innovation and cultural continuity.

The Women’s History Museum of Zambia is a feminist and decolonial museum initiative practicing rematriation as way of restoring, documenting, and activating women-led indigenous knowledge systems, material culture, and historical narratives in Zambia. Founded in response to the exclusion of women from dominant archival and museum canons, the museum works across research, exhibitions, digital storytelling, workshops, and public pedagogy to build more equitable and community-grounded cultural infrastructures.
Its work spans oral history, archival activation, textile and material culture research, digital interventions, and collaborative programming with artists, knowledge keepers, researchers, and institutions in Zambia and internationally. Through projects such as digital exhibitions, community learning labs, collection-based interpretation, and women-centred publishing and storytelling, the museum rethinks the archive as a living, usable resource rather than a static repository.
The museum’s broader mission is to contribute to epistemic repair by reconnecting communities to histories and knowledge systems that were disrupted through colonialism, patriarchy, and extractive museum practice. It is committed to shaping new models of museum practice from the African continent that centre memory, care, co-authorship, and public value.

KOKOBA: Meeting Our Griots is a multimodal literary platform operating at the intersection of art, research, archiving, documentation, and education. It provides access to Africa’s literary and intellectual heritage through inclusive, aesthetic, and consciousness-raising experiences in order to negotiate freedom, healing, revelation, remembrance and the reshaping of social imaginaries. KOKOBA harnesses the regenerative qualities of storytelling, books, self-study, and collective study to expand our sense of possibility in service of (inner) world-bending, (inner) world-mending, and (inner) world-making. On the occasion of its fifth anniversary, KOKOBA’s founder and steward, Keren LASME, curated La Bibliothèque des Possibles (The Library of Possibilities), a roving study space and library that reimagines the library as both altar and sanctuary: a bridge between the mundane and the sacred, offering poetic, intimate, and intuitive modes of engaging with knowledge.

Fondation H is a Malagasy contemporary art foundation. It was founded in Antananarivo in 2017 on the initiative of entrepreneur and patron Hassanein Hiridjee, who believed that art and culture have a strong social impact and enable a critical opening to the world. It has been recognized as a public utility since 2018.
Fondation H operates programs dedicated to supporting artists from Africa and its diasporas in their careers, facilitates public access to art, and actively participates in the development and structuring of the art scene in the Indian Ocean.
Fondation H, in its 2200 m² space in downtown Antananarivo, the capital of Madagascar, invites local or international curators to conceive exhibitions anchored in the Malagasy context. The emphasis is on local productions, through residences and creative grants.
Fondation H sets up various programs, all completely free of charge, dedicated to artists and its audiences: Prix Paritana in support of the young malagasy scene since 2017, artist residencies in Antananarivo and Paris (via its partnership with the Cité internationale des arts in Paris, where Fondation H has been renting a studio apartment, and its adjoining exhibition space since 2020), Hay creative workshops for children aged 6 to 12 since 2021, Ainga training courses for artists since 2022, and numerous cultural mediation initiatives linked to each exhibition, including Les samedis de la Fondation H, every saturday morning of the year, and two to three public programs per year.