Re:assemblages 2024

 

Re:assemblages is a roaming body and multi-year cultural development programme designed to platform new, critical questions focused on the preservation and creative potential of African art libraries. This collaborative project was developed in response to the wealth of material housed in the G.A.S. Library and Picton Archive, and its rare constellation of African-published journals, magazines, and manuscripts.

 

Re:assemblages launched its opening chapter, Annotations, in early 2024. The programme aimed to counter-map pan-African festivals through close readings of conflicting records and ephemera, including state collections, artist accounts, and delegate testimonies. It played host to numerous artistic interventions, strengthening the connections between artists, publishers, and art initiatives with library collections in Africa by fostering cross-disciplinary dialogue with various organisations holding African and Afro-diasporic art and cultural heritage collections.

 

In June 2025, G.A.S. Foundation and Yinka Shonibare Foundation announced the 2025–26 edition of Re:assemblages, marking a dynamic new phase in fostering collaboration and experimentation across African and Afro-diasporic art libraries and their publishing ecologies. This ambitious multi-year programme reimagines the stewardship and activation of transnational archives of art and literature that have emerged since African independence, culminating in a constellation of international convenings, symposia, micro-publications, and a research intensive.

About Annotations

Annotations was a six-month project that explored major African cultural festivals and their dual nature as historic events and repositories of postcolonial pan-African encounters. Led by co-curators Naima Hassan (Picton Archivist) and Maryam Kazeem (iranti press), Annotations aimed to spark innovative approaches towards archival research by engaging the complex histories of FESMAN, PANAF, Zaire 74, and FESTAC’77. 

 

In addition to a social practice residency, public programme, and publication, Annotations hosted a 7-week research programme designed in collaboration with Archival Consciousness to assemble a pedagogical timeline and archival resource on twentieth century pan-African festivals researched by the Annotations Research Associates.

 

Annotations Research Associates Programme

The Annotations Research Associates Programme was designed to explore African art festivals such as FESMAN, Panafest, Zaire 74, and FESTAC ’77. The seven-week-long programme fell under the wider scope of Re:assemblages 2024. The selected participants from our open call were emerging multidisciplinary curators Adeyosola Adeniran and Ufuoma Ogbemudje, and independent archivist Osayame Emokpae-Ozoro.

 

Running parallel to our archival practice internships supported by Spelman College and AUC (Atlanta University Center) Art History + Curatorial Studies Collective, this opportunity for Lagos-based practitioners foregrounded our foundation's dedication to building capacity within our local industry in Lagos.

 

The Annotations Research Associate Programme is generously supported by Femi Akinsanya.

 

 

Spelman College and AUC Art History + Curatorial Studies Collective Internships

G.A.S. Foundation partnered with Spelman College, and the Atlanta University Center Art History + Curatorial Studies Collective (AUC Collective) to facilitate internships for three of its student members. Housed within the Department of Art & Visual Culture at Spelman College, this programme aims to shape the future of the art world and position the Atlanta University Center as the leading incubator of African American professionals in these fields by cultivating students who will seek knowledge, discover purpose and make change.

 

        

 

 

Annotations Residencies

The Annotations programme offered two fully funded, Lagos-based residencies focused on the exploration of African art histories across the continent and its diaspora, framed within the thematic scope of Annotations. The selected residents were Liz Kobusinge, a Uganda-based, community-taught artist who explores the textured possibilities of eco-printing and painting on handmade bark cloth paper as a ritual of remembrance, and Theophilus Imani, a visual researcher who examines the representation of the Black body in diasporic visual culture.

 

Supported by Outset Contemporary Art Fund.

 

 

Annotations Programme Curators

The Annotations programme is led by co-curators Naima Hassan (Interim Picton Archivist) and Maryam Kazeem (iranti press).  Naima Hassan is a researcher and curator based in Berlin. Since 2022, she has led the development of the Picton Archive at G.A.S. Foundation, Lagos. 

 

Maryam Kazeem is a writer, and the founder of iranti press, a publishing project based in Lagos, which convenes FESTAC 2077: A Speculative Writing Exercise. She completed her MFA in Creative Writing at the California Institute of the Arts as a Truman Capote Fellow. 

 

Supported by Outset Contemporary Art Fund and Yinka Shonibare Foundation.

 

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