G.A.S. Foundation is excited to welcome Nduka Ikechukwu, a Nigerian artist, for an immersive four-week residency at G.A.S. Lagos. Based in Nsukka, his practice spans installation, sculpture, and textiles, with a strong focus on questions of identity and traditional culture rooted in the Igbo apprenticeship system and the role of titles as markers of progress within the Igbo society. Central to his practice is the use of industrial strap belts, which he stitches into layered forms to examine labour, endurance, and collective effort. Through this material, Nduka articulates metaphors of strength, resilience, and human relationships exploring the ties that bind people to place, purpose, and one another.
During his residency, Nduka plans to dedicate time to research at the G.A.S. Library and Picton Archive, using the knowledge gained to experiment with new ideas and approaches to his practice. He intends to develop new works that reflect these learnings, refine the forms and colour palettes within his work, and experiment with calabash, a traditional household utensil made from the dried, hallowed-out shell of a gourd. He also looks forward to connecting with local art practitioners through studio visits and programmes across Lagos, as well as sharing knowledge with younger students through learning and educational engagements.
What is the current focus of your creative practice?
My practice is currently focused on materiality and functionality. I explore how the uses and physical qualities of materials relate to human activity, particularly in connection to my culture and traditions.
What drew you to apply for this residency and how do you think it will inform your wider practice?
I was drawn to this residency because of my desire for progress and growth. G.A.S. offers a strong platform for research, experimentation, and exchange, which aligns closely with where my practice is at the moment. I see this opportunity as a way to gain greater exposure, deepen my experience, and challenge myself through new contexts and conversations. The residency will allow me to reflect more critically on my materials and methods, while also expanding my network and informing the direction of my practice moving forward.
Can you give us an insight into how you hope to use the opportunity?
I hope to use this opportunity to focus more intentionally on refining the forms and colour language within my work, while further experimenting with the inclusion of calabash as a material. The residency will also allow me to explore ideas around knowledge-sharing, and I am particularly interested in organising a workshop for young children, something I have long wanted to do as a way of passing on skills and encouraging creative curiosity.
About Nduka Ikechukwu
Nduka Ikechukwu is a Nigerian artist whose practice is inspired by his identity and cultural heritage, creating vibrant sculptures using net and strap belts. Born in 1997, Nduka holds a Bachelor’s degree in Fine and Applied Arts from the University of Nigeria, Nsukka, where he is currently pursuing his MFA. He participated in the Biennale for International Sculpture in Ouagadougou, Burkina Faso (2025) and has exhibited in group shows with reputable galleries in Nigeria, the USA, France, Portugal, and beyond. His work is held in both institutional and private collections locally and internationally. Nduka was a resident artist at Ulo Nka Space in 2023 and was the first runner-up for the Art Report Africa & DicaArts Prize in 2023. He currently lives and works in the university town of Nsukka.
Photo of Nduka Ikechukwu. Photographer: Muchency photo studio.
Nduka's residency is generously supported by The Osahon Okunbo Foundation (TOOF).
