African Arts Libraries Lab (AAL Lab) Network

 

The African Arts Libraries Lab (AAL Lab) and Affiliates Network was launched by Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation in 2025. The AAL Lab brings together Africa-based libraries, publishers, and archival initiatives, while the Affiliates Network connects global institutions and supporters who champion and resource this work internationally.

The Lab and Network builds connections between Africa-based libraries, archival initiatives, and independent publishers, alongside global institutions and supporters. The Lab and Network are alive and evolving, growing organically through shared interests, common challenges, and a readiness to explore new ways of working together.

 

In its inaugural cycle (2025-26), the Lab and Network will be incubated within Re:assemblages, a roaming programme led by G.A.S. and Y.S.F., designed to foster experimentation and collaboration among African and diasporic art libraries and archives. This work builds on the G.A.S. Foundation’s own library and archives, including the Picton Collection comprising 1,500 volumes collected over six decades by Professor John Picton, Emeritus Professor of African Art at SOAS University of London, and Sue Picton.

 

 

The AAL Lab and Affiliates Network embraces an expanded notion of archives, libraries, and publishing, including educational and non-collection-based practices. Explore our current members.

 

To enquire more about membership, contact our Project Lead, Naima Hassan, at library@guestartistsspace.com.

 

Membership depends on location:

  • Institutions based in Africa, or operating in Africa and internationally: join the AAL Lab
  • Institutions based outside Africa: join the Affiliates Network

 

Convening 1: Liz Johnson Artur, Black Balloon Archive

 

The first convening of Contemporary Art and Archive Practices took place on August 5th, 2025, in partnership with Gallery TPW and the National Gallery of Canada, with artist Liz Johnson Artur leading a public talk and two in-person sessions at Gallery TPW.

 

Rooted in her Black Balloon Archive, a four-decade project documenting the presence, lives, and everyday moments of Black communities across the world, Liz’s sessions opened new pathways into archives as living, relational spaces shaped by community, celebration, resistance, and continuity. Extending the conversations initiated during the convening, a forthcoming chapbook commissioned as part of Re:assemblages, brings together a written response to this first CAAP activation. Written by Safia Siad, the essay reflects on Liz’s Black Balloon Archive through a methodology of invocation, attending to forms of ancestral, communal, and somatic knowledge that resist conventional archival capture.

 

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